Tuesday 23 July 2013

Sanatorium - Whitechapel Gallery



SANATORIUM at the Whitechapel Gallery - 10-07-13

Turning up at 4.15pm at the gold leafed gallery outside Aldgate East tube, two helpers in white lab coats had four 'sessions' still on offer at the 5pm time slot. Two of them were offered as group therapy type affairs,thinking of which afterwards made my blood run cold; it sounded more like 21st century water torture than fun, or art.
So I opted for what sounded like the easy option - goodoo doll! If you don't book a slot for your chosen therapy in advance you have to wait - eventually I was accompanied by a female "lab technician" type, who took me into the small room for human guinea pigs.
I was then given a ten-inch tall fabric doll, [see photo] onto which i was asked to stick five objects, selected from a smorgasbord of mini objects. Tiny mirrors, gold coloured plastic jewelery, guitars, horseshoes, plant pots, etc. Why you chose them, where you put them, how you stuck them on your doll, all was up to you.
Who you want your doll to benefit by your actions was also up to you, as was whether you wanted to talk about it or not.
It seemed churlish in the extreme not to chat while you were going through the process. I felt like I revealed way too much, forming the false impression I needed to dredge up my darkest secrets.
When I explained the symbolism of the guitar - well it meant the liberation of my creative energy - I was told that everyone is an artist!
"Yes " I said, "but some artists are better than others !"
We , the lab tech and I, fell into a lively debate on whether today's world, awash with self proclaimed artists creating on every conceivable platform, is a good thing or not. And why we need more editorial criticism than ever.
I started to wonder whether this was part of the Goodoo Doll process or just a chat for my technician to enliven a day spent endlessly explaining the same things 100 times, so I returned us to the task in hand.
"What happens to it now ?"
"Well..." she seemed slightly nervous. " You can keep it, but it costs £5."
"Err, got no money on me" I honest guv'ed.
"Oh, you can leave it here"
"What happens to it?"
"It will go on display eventually"
"Oh, that's much better " I gushed, relieved to be finally back on terra firma, dealing with the reality of feeling for coins in my pocket as opposed to reaching for philosophical justification for putting a mirror on my doll's head. The 20 minutes of near excruciating "therapy" I had endured was at an end.
But was I to blame for my miserable mental state? Why not stomp on it from the get go, if you don't like it? Why go at all?
Well, it might have been life changingly brilliant. But once you've seen the pic of my completed Goodoo doll,the one in the middle, you might think otherwise.
The other options are Vaccine Against Violence involving blowing up a balloon and drawing the face of the person's who has most hurt you on it, then using it as a punchbag. Cityleaks, confessing a secret in a group setting; Philosophical Casino using dice to answer questions linked to various ancient and modern belief systems; Mudras to do with gestures and brain research; and the most complicated one which can take up to 45 minutes, the Museum of Hypothetical Lifetimes in which you work on a scale model of an imaginary museum.

Remember, you don't need to have problems to take part in this art project, but you might emerge onto Whitechapel High Street with some as a result of venturing inside! Perhaps that's the whole idea.

Punchdrunk The Drowned Man

Punchdrunk - The Drowned Man - Paddington- June 2013

The call from JK came at 7pm-ish.
"Ive got you a ticket , get down asap to Paddington , theres plenty of time, you dont need to come in before 9pm-ish".
Your Art Power critic donned the full biking leathers needed to hurtle from SE39 to W11 in under an hour. Easy...course finding Temple Studios wasnt so easy...I found the correct road but no sign of theatricals so i dropped the Harley Scooter on its front axle and took Shanks Pony...Not five yards had I gone when the pounding and then strange atmospherics could be heard, from behind a red door...no shrinking violet, in I plunged...into a dark space without end...following someone up ahead i was soon lost in the labyrinth of rooms, cars, film studios, dressing rooms, caravans, mountains of sand, tables with berserk people doing the crazy dance....then I got the feeling I was being followed..a quick take two over my shoulder - five masked men are standing, staring at me...WTF is going on? I make a hasty exit, charging into the labyrinth again, a room where two people are repeatedly doing the same strange mental exercise, watched by the masked crowds, I watch too, no-one pays me any mind. On I went, finding a stairway, I go up.
The next floor is completely covered in sand, this is a huge warehouse space. Ghostly hums and chugging noises are heard in the distance, on i go, seeing a New York cop, I slip into the parking lot. I am getting the feeling I'm being watched again. Spotting a NYC yellow cab, I open the door and jump in, try the radio, no dice. Where is JK ? My mobile works thank god...
"Help! Im in a cab on the third floor and theres a crowd of masked men staring at me !"
"Oh for fucks sake, why didnt you get a mask ? Right I'm on way" she threatens.
 "Err, OK , oh, and hurry"
JK appears in 5 minutes and grabs me, gives me a severe dressing down in front of the mob. This play is meant to have no dialogue , the crowd are getting hostile.
"Look, take your mask off and we can become part of whatever is going on here " I offer hopefully. No joy.
"Dont be so fucking stupid" JK shoots me down. "Right come with me, we are getting you a mask"and she takes my hand like a naughty toddler. Turning to her friend from work, she starts to apologize profusely for my appaling behaviour.
"Im really sorry, Im afraid you cant take him anywhere, he's got showing off syndrome "...
"Hang on a sec" I launch my defence," its not the end of the world ,in fact its quite a laugh. This is an immersive experience, we can do what the fuck we want"...
"You may not talk, or remove your mask" she states. " I saw two people get thrown out of Faust just for signalling to each other!"
They sold their souls to the art devil no doubt !
This is a mysterious event. The mise en scene is superb, as is the music. The trouble with a play without dialogue, is it leaves you thinking there's got to be more to dance and mime than simulated intercourse and disappearing down holes.The story was utterly impossible to follow, leaving the audience to find out WTF is going on is a good idea but over optimistic of Punchdrunk. We really do need some guidance !  I did want to know what happened to the girl who was taken into a room, followed by a crowd of twenty beak masked desperados (the atmosphere does get increasingly frantic amongst the 'scared to be missing something' audience), who were then suddenly shut out by the man in charge. But did it matter ?
The finale made everything a bit clearer. The two dead people who had been lying on the floor were borne aloft. Much wailing and gnashing of teeth ensued, Ive no clue why. I was just glad to make it out of there in one piece.