Thursday, 1 June 2017

Must see TV - June 2017 - Better Call Saul - Veep - Versailles

Must see TV Shows Summer 2017 - Is Bob Odenkirk the weak link in Better Call Saul?

"Its been quiet over there in Treedown world" many people are rarely heard to say on Boris’s cable car ride to nowhere. Is it because the nights are short and hot, or is it due to exceptional TV viewing keeping our writer from the laptop face? Well, Netflix is having a boom time in TG domain now I am truly hooked on ‘Better Call Saul’ Series 2.
Where Series 1 was slightly direction less and unsure of itself – is it a comedy with nasty sub plots or vice versa? Series 2 has the Breaking Bad team giving it their full attention. And we now have two evolving plot lines with Mike taking on Hector’s Mexican cartel, and playing fast and loose with some seriously dangerous characters. Jimmy is still the eternal lawyer with a desire to fail, even though he has a fabulously talented lawyer girlfriend called Kim Wexler. Jimmy is hard to like and its typical of Vince Gilligan to base this spin off series around the worlds biggest loser. One of Breaking Bad’s greatest bad guys has already banged heads with Mike, and although Tuco is locked up for many episodes, his uncle Hector is out to threaten all witnesses – well Mike – so Tuco doesn’t have to do too much time. The whole is thing is barreling towards more carnage and another edge of the seat denouement, to be followed by Series 3, already announced in the States.

There is one tiny thing that troubles me about BCS. No, its not that the character called Saul is yet to appear. What Breaking Bad proved beyond everything, the brilliant plot of one mans plan to make a quick buck out of the drug trade snowballing out of control. Like an avalanche the story sweeps all before it, the friends and family of Walt are dragged into the vortex and are forced to change or leave. The fabulous setting, the clever use of music and editing. Above all, it was the casting that was truly amazing. How did they know Brian Cranston was a leading man with so much charisma and gravitas? His main claim to fame was playing the bumbling Dad in a comedy aimed at kids. So when I tell you I have serious doubts about Bob Odenkirk in the main role, you have to question why would they cast an actor who seems to have so little range. One moment he is playing the grifter, tricking travelling salesmen out of their savings. The next he is admitting committing fraud and felonies to a foe, all because he has really got a heart of gold. Believable? No. Would another actor make it work ? Fassbender, Hardy, Gyllenhall, Ryan Gosling ? Err yes, Ryan Gosling would be better. A lot better. So why base the whole series around Odenkirk? Vince Gilligan is a clever fella, so I am going to look for the answer spending some more time thinking on it. Unless any of you voyagers on the cable car can help ?
Now on BBC2,‘Paula’ is two episodes in and has followed ’The Fall’ in using Ireland as a backdrop for some nasty scenes involving violence against women. But the pace has been unrelenting and the tension grips like a vice.
Jamestown is preposterous fun with the boat load of women newly arrived in the European claimed American lands causing havoc everywhere they go. The arch toff “Lady in daft hats” knows no true emotions, but schemes and manipulates everyone stupid enough to listen to her.
“What is this I hear about a map of buried treasure, governor?”
“I don’t think you should worry your pretty head about it, lady”
“But its so much more fun than farming …”
Max Beesley is on his way back from Indian lands with a burnt face that must smart. Its like goo to look at but doesn’t seem to bother him any. I thought he might not be dead when he got blown up, because, well, because his character is played by Max Beesley!
Comedy is not in its heyday, but I guess it’s hard to be funny in these times of the PC police and Trump clodhopping about the world like a giant marshmallow, with a smaller marshmallow in his head for a brain. Thank goodness for Veep – now in its sixth season, still as brilliantly cynical and hilarious as ever. , If you want to have a laugh, do not be put off by the subject matter. The American president (POTUS) and Vice President (VP or Veep) really are rich pastures for sharp writers and producers like Armando Iannucci.
‘3 Girls’ was gripping and a superbly well done drama about the grooming of young girls by a group of Asian men in Rochdale. The ever remarkable Maxine Peake stole the show and did so much with a small part as the sexual health worker who tried to alert the authorities about what was going on but was continually ignored.
Twin Peaks has returned after 25 years and is still mining the same weird worlds of Laura Palmer, Agent Cooper and little men who talk backwards/forwards in a parallel universe of red curtains and now a tree with a talking brain on one branch. These scenes were so much more powerful last century because they were used sparingly and held a tone of mystery and unease. Now they are longer and although superbly well done – the scenes with Laura Palmer were deeply strange and unsettling due to her undefinably unnatural way of walking, speaking and blinking – dont carry as much weight. Twin Peaks was masterful in its power to subvert and crush the sense of normality of the world in which it is set. Cooper has a dark side to his character which seems intent on evil doings in the twilight world of motels, runaways and hustlers. The other Cooper is still besuited and neat, but he inhabits the nether world of red curtains, and spends far too long running around with no purpose or end product. I am only up to Episode 2 so there is plenty of time for David Lynch to iron out any rough edges and let the weirdness really flow.

Finally Versailles has been great in the depths of depravity to which most of the action has sunk. Although Sun King Louis has apparently found God and has taken to the battlefield in Flanders as a sop to the almighty, you feel his heart, as well as his scene stealing brother, are still in drug filled Versailles. The Queen – pious and Catholic – has been left in charge and has outlawed fun, the parties and orgies continue, with the fabulously corrupt Chevalier chief organiser, and Madame de Montispan (a career high for new star Anna Brewster - now dominating all her scenes) defiant in the face of her adversary. One is chief Mistress Number 1, the other is Queen and wife. One gets the feeling they are both doomed as the court is brim full of young, eager arrivistes aristocrats with nothing but the aim of hitching a rich husband to concentrate on. This has been beautifully staged and has been packed full of down and dirty poisonings, stabbings, backs stabbings and wicked human behaviour of the most greedy and self-serving kind. Which always makes for great TV.

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