Monday, 22 June 2015

Picasso & Matisse Lovers of Modern art group first meeting - 20-06-15

Facebook group dedicated to Picasso & Matisse and all other modern art - Meet no 1 at Christies and Sotheby's on June 20 2015

The first ever meeting of the Modern Art lovers group was at Christies and then Sotheby's. These pre-auction previews are always great; you get a warm welcome, free cloakroom and thick book - from Christies at least- with (almost) everything to be sold in the day and evening auctions in the week to come. The fabulous Deux Lectrices by Picasso was my favourite piece on show - estmated at £15m by Sotheby's. The wondrous room of ceramics and mugs, vases and other pottery by Picasso was a pure joy .
- make sure you seek it out. Many of these have £50k - £80k estimates. It just goes to show the owl, faun and fish jugs, plates and vases still available at under £5k represent good value in 2015. Even if they dont have Picassos own hand on the bottom - ahem! - they are still worth buying. As these  on sale at Christies at 1pm on Thursday 25-06-15 came from the family collection, they come with a premium value. Just make sure you keep them away from kids and cats! 
There is a most healthy selection of British artworks on sale on the same Thursday evening starting at 6pm. A fabulous Hepworth sculpture ("Two Forms with White - Greek" est £1.3m - £1.8m) and a cute mini-size "Rocking Chair No 2" by Henry Moore (est over £1m) that would sit atop a mantlepiece most easily. Also two top drawer Lowrys , both est. under £1m, a Bomberg and a fab Burra ("Fish stall Glasgow" 1949) both under £0.5m est. The only picture with an estimate over £1m is the Stanley Spencer "Hilda and I at Burghclere" whci has a high est. of £1.8m. Perhaps more impressive was the Bacon triptych at Sotheby's.

Matisse was barely represented except for one exquisite piece. There was an impressive German Expressionism room, some lovely Scheile, one Kandinsky, and three ultra collectable Magrittes at Christies, The Picasso still life was small but lovely, but the large Picasso Christies were pinning there highest hopes has wobbled in expectations, and the Russian money has meant the Malevich abstract black / blue shape has come on as a late replacement in the starring role - £20m - £30m est. I cant help feeling it will go for more than the Picasso, just because Malevich portrait went for so much in the spring sale. We will see this week.


Tense bidding war ends with the Klimt portrait of Gertrude Loew going for £22m - Wednesday 24th Sotheby's Evening Sale -


A fantastically tense bidding war erupted half way through Sotheby's main auction of Modern art and Impressionism on Wednesday night. The auctioneer couldn't decide whether to be patient or bad tempered as the bids kept on coming in increments of point one - or £100,000 in laymans money.It surged to £15m odd fairly swiftly, and then there was a long pause. Fair warning was given, and it seemed the hammer would fall on the sweet but unspectacular portrait of Gertrude Loew. It has none of Klimts usual showmanship, no gold leaf, no arresting coats or emboidery, no flashy, look at me frame. But something seemed to happen in one of the telephone bidders ears, and we were off again. The auctioneers encouragement worked on one of the two parties, and he/she accepted his requests to go up by half a million in one bid, while at the other side of the room, the competition kept on bidding at £0.1m scale. Finally we reached £22m and no end of imploring could bring any more funds to bear. The lady with the plunging neckline shook her head and we knew it was over. With the usual extras, the Klimt went for just under £25m . 

The previously discussed Malevich black rectangle obscuring other coloured shapes went for over £20m, beating the Picasso "Deux Personages - La Lecture" - not Les Lectrices which i previously called it.. This fetched £16m, as did the famous Manet picture commonly known to hang at The Courthauld - "Le Bar aux Folies Begeres". This is a copy or similar version. A Degas went for over £15m, and a Gaughin still life went for over £10m.

Not everything was a success. One of the Legers (pictured above) didnt meet its reserve, nor did one of the Hepworths.  The Matisse i loved - "Femme a L'"Ombelle", a great beauty with an umbrella and seascape went for £2m. The other Leger picture - "La Femme Couchant" - did sell for £3.4m.
The main Picasso ceramics and pottery sale is on Thursday  - day sale.

Monday, 1 June 2015

May 2015 - Go Italia 2015 -See Dantes Inferno and live - only £1200 ! Four gory days in Rome 





May began with a trip to Italy, life was so sweet in Tuscany at a centuries old villa in Monterrigioni to see Kate and Paolo get hitched. So good was the do they will be singing songs in Bromley and Beckenham for years .
"Where Paolo goes, we all go."
The only cloud during those blissful Tuscan days was missing the pre-wedding drinks party when a two hour drive from Pisa ended up taking closer to five thanks to the Maps app on the mobile deciding to go down. No sat nav or ancient style paper maps?  No worries, all you need if your Sony Xperia refuses to work are some intelligible road signs.Cant be that hard, can it ? Ha ha ha !
Here's how it went - we knew we had to get to Siena to have any hope of finding Monterrigioni - but somehow we'd managed to drive into Firenze instead, which would have been nice to have bypassed. We go round in circles in the dark in the most ugly suburbs of a town I've seen since I was in Milan heading for the airport 5 years ago. Round we go.
We ask a group of kids hanging around a lone petrol station in the deserted streets: "Err, scusi, signorina, er, directione Siena?" "aah" - long discussion with friends ensues. Back to us, it included the following, i think: "Roma sinistra, destra, sinistra, diretto, tuuuuti, tuuuti diretto, aqui, destra...directione Fi Pi Li..."
"Oooh, thanks very much"
Travelling companion JK to me: "what did she say?"
Me: "I haven't the faintest ".
On we go, round we go, another hour passes, the same grotty roundabouts, flats, billboards, the same signs say 'Fi Pi Li' left, then 10m later, Fi Pi Li right.
On and on, I get a feel for Dantes inferno...in my head.
Finally we get out of Firenze.
Day after the big day and our goodbyes all done, we head off to Rome, having worked out this leg of the journey should be a synch - a straighforward breeze direct down the motorway. We decide there is  time to take in Siena on the way. We park the car - wander into centre ville.

Blimey, Siena FC were at home and fans were all converging on the ground, like a natural amphitheatre surrounded by hills in this most vertiginous of towns. The whole place is shaped like a volcano, with ancient alleys and shopping streets bending in a permanent arc, every so often a fabulous vista would open up to the left or right. Finally we come across the famous piazza where the town's districts race horses once a year for honour and glory.
Wow factor = 9 / 10
Now, where did we leave the car? Oh FFS factor = 5/10.
Onto the motorway, direction Roma, only it doesn't say Roma on any signs, and OMG - yet again the phone's Map app has mysteriously stopped working, completely. OMG FFS factor = 6/10.
Then the traffic slows right down - two accidents - delays. 4pm. Expectant Airbnb host rings;
"pronto, so you still going to be here at 5pm, si?"
'No, no, I explained to you before, 5pm is when we're dropping off our hire car at Termini  (Rome's railway station), so it's going to be more like 6, ok?'
'OK, but you have to get a taxi from the station to get here asap, it'll take you half an hour - 30 euros."
'What d'you mean, why would we spend loads on a taxi? we can get public transport surely?'
'If you do that it will take you at least an hour - and then I'll charge you a late fee, so you better get that taxi',
'Hang on a minute, what late fee?!  And you said your flat was central, 'near the Vatican' - now you're saying you're an hour away on public transport?!!'
'Listen - you get late fee ok if you not get here - ciao,' click, constant tone = OMG factor 6/10.
Back in the UK, choosing Rome Termini as the drop off location had seemed a really sensible, time saving location. Two and a half hours later, at 6.30pm, having been through the hell of finding the way first into central Rome and then to the railway station through one of Europe's most mental cities to drive in, JK is nearly in tears and I've been nearer to a road rage incident than in 30 years driving in UK.
I locate the Sixt car hire desk - deserted. Nearby man on another desk;
'scusi, dove, Sixt?'
Shrug, incoherent gesture, = va funculo? .OMG factor 8/10 .
The horror of the next thought takes my mind directly to the gates of Dantes inferno. It dawns on me we are going to have to keep this flaming car another night, park it and keep driving in this madness - with no idea how to find the flat.
We ring our expectant hosts again. JK does the talking. What did he say?
" He said if we don't get there within half an hour, he 's fining us".
"You are joking".
"No, and he shouted at me. He's really angry now." OMG factor = 7/10.


Over an hour later we admit defeat and finally have to resort to being found by a search party sent by the charmless (eg Roman) host and his icy female 'assistant'.
After narrowly being rammed twice, missing two pedestrians by millimeters who just walked out across a six lane road, looking the other way, and having missed seeing many sights , except in my peripheral vision - I handed over the punishment cash and thought the hell was over.
But oh no, not until you are in bed does the inferno die down. We went out for food, and on returning to the flat, I found I couldn't get in. The key looked like it was from the dark ages and no end of wiggling, pulling, pushing, lifting would entice the lock to shift. Oh yes and I'd left my phone inside the flat so we had no way of contacting them. Off we trooped, back to the restaurant where we had just spent 30 euros on pizza.
"Err, prego, can we use telephono ?"
"No"
"Oh but it's an emergency"
"No"
Ho ho, these Romans, they are such a loveable bunch!
JK: "please, the number is in Rome and we really are in emergency"
We show the number is local and get to phone the charming assistant lady.
"Oh, ha ha, yes , the lock is a bit difficult, you just need to...."
Instructions follow, we go back and hurrah, we are in, the day from hell is over, the inferno recedes, at least for day 1, err, or is it?
,


We take a good look round charmless ones place. Nice big terrace, TV works ! And fantastico, theres a kettle ! Turn it on, everything goes dark and stops. OMG factor 9/10. When will the 24 hrs from hell end, not until we are in hour 25, thats for definite. I find the fuse box, i throw every switch, ha, it all works again . Thank you Lord. Shall i risk the kettle, I have been looking forward to this cup of tea with increasingly fevered anticipation as the hours have passed. Try again, yes ! Never did a drink taste so good ! The bed, the pillow, hello bed, goodbye day from hell.
Day 2 starts with numero uno proirity, to return the rental car to drop off at Termini. We renegotiate Rome's roads without death, destruction or a pull by the many different types of cop in Italy. We get to the top of of the designated very hard to find multi story car park, having managed to replenish the petrol at an Italian garage. So complicated and confusing is the system that enterprising migrant men earn a living from tips having explained the process to us drivers.
You must pay first. Into an automated machine that gives no change and only accepts special Italian top up cards and 10 euro notes. Think that's confusing? Wait till you get to the drop off point for the hire car. One notice says "Do not drop your keys into the box below". Underneath is another notice
" Drop your keys in the box below ". FFS factor 8/10.
The man arrives. He inspects the car - a crappy, Air Con less, Sat Nav less, mini grade thing. He notices a dot, like a stone chip on the paint work. He writes copious notes and gets me to sign.
" Everything OK ?"
"Yes, no problem. Go to office now ".
In the 'office' - the desk back at Termini, the man spends for ever on the phone. I am not told why. I am Inglese, clearly equivalent in social status in Rome to a sewer rat. I give up trying to explain the problems we'd had when the man produces a miniscule leaflet, that was nowhere to be seen when I'd arrived at the deserted desk the day before, which has tiny writing and what appears to be a flowchart with mysterious symbols on it.
'See this is multi storey carpark, black white building very easy - no problem, no-one here yesterday?
anyone can follow!!'



After 20 mins, I am told I can go. I am too grateful to be out of there to double check that I won't be charged 250E for a new paint job.
First stop on my tour of the sights, the Colosseum. When JK tells me the steps inside are made for giants I realise I am too tired to even try. Then the Forum, the Capitaline, the Pantheon, Piazza Novarro, the Spanish Steps. There is so much. At the steps I can only lie weakly as my stomach has reacted badly to eating half a tub of Haagen Daas.  We make a special effort to see the Trevi Fountain at night. It is under scaffold and glass - no water, just dustbin trucks circling.
JK then walks into a plate glass window at a gelati shop and bangs her nose, very hard. She bursts into tears: "It's all so stressful - I just want to go home!" she cries. My heart goes out to her, it has been stressful, and our financial position is going so far into the red it feels like we will be in debt for years  to come, and we dk how much SixT are going to charge for a stone chip and day late return charge. Gulp, dont think about it, FFS enjoy yourself!


Jk bravely insists we must finish the planned squares at night tour and take in Piazza Navona, despite a worrying feeling I voice that we should be finding the bus to get home as there is a tube strike. We pause for a commemorative photo of the throbbing red nose by the famous fountain.
When we find a bus nearby that's going in the Vatican direction and thus ours - we feel blessed. I ask the driver - with a man sitting near him trying to stop me talking - to let us know when to get off. I keep asking - battling the belingerent old bastard who's getting increasingly on my case. All the other passengers stare at us impassively. Some time later we realise it looks like we are heading out of the city and perhaps we had better get off. Stepping down, we pass an incredibly unusual city dweller, one who is genuinely helpful and speaks English.
But you're miles away from where you need to be!" he exclaims "Didn't you ask the bus driver, or any of the passengers ?'
It turns out we are a two hour walk from home - with no chance of any transport, no passing taxis, no help. There is nothing for it but to put our best foot forward. One small advantage - in having to circumnavigate one half of the giant wall surrounding the Vatican, we see how huge it is, No wonder its got its own post office and bank. ~If you think walking around Buckingham Palace is bad, try doing this !
Day 3 - we go to the Vatican museums. So massive are they, it takes an hour to get to the Sistine Chapel.
"Silenzio!" again and again the cry rings out. We are shouted at, cajoled, told to stand up, take off hats, move, don't move, sit, don't sit. All the time you are craning your neck, trying to make out what Michelangelo had in mind, and what am I meant to have in my mind? Not Dante, I am fairly sure. It is incredible. As are the Raffaele (Raphael) rooms. The School of Athens is the easiest part to appreciate, being in front of you, not far off on the ceiling.

Wow factor = 10/10.
It is absolutely unmissable and the highlight of the entire Italian tour. And that includes the Day 4 trip to the legendary Cinecitta studios and its huge outdoor sets.  Roman centurions filming a swords and sandals remake of Ben Hur by the Russian director who did Leviathon trooped in front of us. There's also "Christ the Lord" in the making, and Ben Stiller was due to arrive the next day to film Zoolander part 3 on the set Scorsese had burnt down for the climax of Gangs of New York. Hollywood on the Tiber lives on, apparently.

Wow factor = 2/10.
Cinecitta was great and the staff were charming. I can only assume they weren't true Romans, because they universally treat us Brits like the shit on your shoe.
Back in the tube on our way to the airport, as a final last salvo, we were crushed yet again by the ruthless entry gates slamming abruptly shut on us - it felt like the last straw. "What the fuck is wrong with this place?'  I screamed at the unconcerned staff sitting in clear sight of us in their control room.
They bashed on the glass and screamed back, 'Davanti, Davanti!!' pointing furiously at another totally incomprehensively sign. Ow factor = 8/10.
I loved Rome, but the Romans are an acquired taste, and I am yet to acquire it !

Note = Fi Pi Li = Firenze Pisa Livorno - tutti directione !

Saturday, 7 March 2015

Fortitude vs The Banished - bafflement reigns as TV USA wins again

March 7 2015 -Battle of the New TV series ; USA Fortitude vs UK The Banished 

There are three things you need to get right if you want people to watch your TV series, episode by episode;
1) Create a world people want to revisit
2) Create characters people want to see again
3) Create a story which  people want to watch
In other words, make your fictional characters do and say things in a world which is interesting enough for your viewers to tune in repeatedly.
The Americans have got so good at this they dont really bother with all three anymore. The Wire proved you can pack a series with dozens and dozens of characters and if the rest is dynamic enough, people will follow it. They will even pay for the entire series on DVD and watch it all in one go, even if it takes from 9pm - 9am on a school night. With this in the back pocket, Breaking Bad  proved the characters can all become despicable drug dealers and doggie killers and the viewers will still pay money to mess themselves up in order to find out what happens.

From the USA Sky now have the totally incomprehensible Fortitude - so complicated and full of horrid selfish animal killers no-one I have watched with has ever known what the hell is going on or what the half the characters are called, but so engrossed and bewitched are we by this incredible "world", we are glued to it anyway. Stunning shots of the lake ( or is it a fjord?) at night, with an ice wall suffusing the world with nocturne blue. Wow, when can we go there for a vacation? We think it's set in Iceland, but it could be anywhere really cold. So cold nothing can die there -we are told it is forbidden- and nothing ever decays there. It would be like dying in the fridge, you will be preserved forever. Unless you are the preacher as played by Christopher Ecclestone, who does manage to die, and even loses most of his vital organs having been treated like Mary Kelly or any other of Jack the Ripper's victims. Who dunnit ? Is it some long dead monster from prehistory awakened by mining? Well it can't be a person as arresting as Sophie Grabol, smarter now she's dumped the jumpers of her previous hit The Killing. But still quite memerising as the star of the show, chief of the island, and quite clearly charisma queen of the Arctic.
On the other side the BBC aired its big hope of the spring. Set at the opposite end of the earth, it's probably filmed in Docklands, so little do we see of the outside. The Banished told a miserable tale of convicts setting up shop down under, in the time when all Brits were evil, not just some as in Fortitude. The world is the most woebegone, disease ridden cesspit imaginable. In the same way Midnight Express killed tourism in Turkey for 20 years, this series is doing Australia's tourist board no favours.

Women are constantly in danger of being raped or married. The men are all raping murdering wrong uns. Racism there is none however- phew. But Thingy Rind Tutt (the good looking cool one from the Barclaycard adverts he did with Hollywood superstar Stephen Mangan) ends up on tip toe with a rope around his neck. We are not sure why - no-one I watched it with had a clue - the norm around here I am afraid. He wanted to marry the girl, but wasn't allowed, or something. He had had to be held back when the girl was lashed by the British wrong uns. So not all Brits are bad, Russell Tovey is the other convict who has survived months of hell on a rat and scurvy struck ship, only to almost plead with the red coats to flog him so the girl's reputation isn't besmirched. As if ! Who is the girl? No-one round here the faintest, but that won't surprise you by now. It ended with the noose tightening round Thingy Tutt Rynd's neck as the bucket his last toe clung to began to topple, and the other woman shouted words at him that might be the saver, in a replica of my daily trials with the whims of the local cash machine. You have three attempts to get your password right, it will not spit back the card, but spitefully holds it in its jaws as the seconds count down to a weekend of begging..get it wrong and you have two more attempts to shout the right word or it's all over. Desperate, the other woman shouts "Crucifixion" and everything stops. The bucket comes up right, everyone relaxes, the boss comes out , and just like my money and my card being returned to me, Julian Tutt Rynd lives again. Why? I won't even begin to explain about the bafflement on my sofa.
Suffice to say The Banished is grim, rancid, ragged and depressing. What is good about it? Rynd Tuttle and Tovey...but I would rather do battle with the local cash machine than sit through this sorry mess again.
Now what is that password anyway? If you try and fail, and then fail again, try "Crucifixion", it works in Oz apparently.

#Fortitude
#Extras
#stephen Mangan
#BBC
#TVseries

Monday, 2 February 2015

Sotheby's Impressionism, Surrealism and Modern art sales - Feb 3 & 4, 2015

Sotheby's Surrealism, Modern Art and Impressionism sales Feb 3 & 4  2015 London

What they went for ;
Monet -Le Grand Canal - £23.7m
Monet - Les Peupliers au Giverny - £10.8m
Matisse - Odalisque au Fauteuille Noir - £15.8m
Toulouse Lautrec- Au Lit; Le Baiser - £10.8m - not seen for 40 years , til now....
The big money came for the Russians, and seeing as i saw one bid from the room during the hour or I so I was watching, it no doubt came from Moscow on the phone. It was a bundle to get to a phone in the room, no mobiles were being used, only old fashioned corded diallers it looked like. Kandinskys Moscau II went for £6.3m, way over the estimate, and the Malevich self portrait, a weird circular piece went for £5.75m, top est being £1.5m. But for me the oddest price was an ugly Seurat profile with little artistic flair and no colour; it went for £7.75m.
More understandable was a sweet but fragile Picasso Owl sculpture going for £1.25m. Then another strange angular sculpture described as a Tete, Maquette went for almost £9m

Yet one of the Pissaros didnt sell, nor did a Braque, Matisse sketch and a Chagall. The other Pissaro went for over £2m. And how about  £7.75m for a Gino Severini. It was Monets night, this lovely piece , L'Embarcadere went for over £10m. Takinginto account a mere £8.77m for an Antibes view, Monet made over £40m with just four compositions. The impressionists still rule !
 Preveiw
It was as packed as I've seen it on Sunday afternoon at the New Bond St London HQ of Sotheby's for the last days of previews before the big events. They start on Tuesday afternoon when the lesser works go under the hammer, the price range generally starting at £5k and then going up to £25k on the whole. The main events are the evening sales on Tuesday with Surrealism and Modernism and then on Wednesday the big hitters of Impressionism are up for grabs. Estimates are modest for this type of auction - lets call it the Premier League of art collecting, with the main work most definitely being a Monet with an estimate of £25m - £30m.

Nothing really stood out for me at first sight apart from the 1984 Basquiat - pictured - which was judged to be one of his most coherent pieces due to a lower intake of drugs when composed. Its a large canvas, and the expert explained the New Yorker worked incredibly fast, often finishing a large work in a couple of days. Most artists would take months to cover such an expanse. Of course Jean Michel wasnt too fussed about rough edges; the white blocks are painted with household emulsion rather than anything grander. The Warhols were non-descript, as were the Cy Twomblys.
Excellence there was aplenty however. The Magrittes were classy, as was the Delvaux, Derain, Ernst and as always, Joan Miro was a stand out artist - see Danseuse (est £0.5m) and L'Oiseau (est £2m - £3m). He is rapidly becoming one of my top 5 all time artists, and Picabia had a lovely work called Cornelly with a top est of £250, 000. Now maybe the time to bid for these super modern masters; none could be better than the two Matisses on sale ; 'L'Odalisque au fauteuille noir ' and a lovely view of his room with a window "Interieur a Nice Femme Assise avec un livre ".
The Impressionism and Art Nouveau was stronger with some sketches by Klimt and Scheile going for relative peanuts, as were some of the Picasso pencil sketches. The major league Toulouse Lautrec - Au Lit Le Baiser is a fabulous rendition of what all those salon and Maison Closes scenes are all about - sex. The estimate is £9m - £12m

Pissaro was at the forefront of expectations but to me these were way below his high point of Boulevard de Montmartre and the Paris boulevards night scenes that sealed his reputation. Some nice works by Jablonsky and Cross were every bit as commercial as the bigger names. Lets see how well they do on the 3rd of Feb.


www.sotheby's.com



http://www.sothebys.com/en/news-video/videos/2015/01/highlights-london-surrealist-art-evening-sale.html

Tuesday, 27 January 2015

Master Movie Maker - Nic Roeg

The 70s - Films golden era - Nic Roeg

Nic Roeg had a stellar career, working as a cameraman on 60s movies like Masque of the Red Death and more significantly, Lawrence of Arabia.
But it was 1970 when he hit the peak of his career , starting with Performance. Donald Cammell was removed or resigned depending on who you listen to, and Roeg was left to complete that wonderful clash of the old London; shooters and blags as personified by gangster on the run James Fox, and decadent, bohemian London as seen in washed up rock star Turners free love and drugs lifestyle, played by Mick Jagger. It was a new type of film and it was hugely influential.
Roeg followed this tour de force with a string of superlative movies. Set in Venice, Dont Look Now is probably the best known, starring Donald Sutherland and Julie Christie, it is one of cinemas all time creepy, haunting movies. Trying to escape the misery and mental torture afflicting the married couple after the accidental death of their 7 year old girl, sutherland takes a job restoring a church and takes wife Christie along. but the historical weight of the ancient city soon bears down on them, and a meeting with a super scary clairvoyant elderly sisters makes her beleive her child can be reached in the after life. I defy anyone to tell me the last ten minutes are not some of the most masterful, intense and downright scary sequences you will ever see.


Following this hit, he paired his wife Theresa Russell with another rock star trying his hand at acting, Art Garfunkel, in Bad Timing. Now in Vienna, this is the quintessential Roeg movie. Time shifts and mixed up chronology are beautifully fused with three fabulous lead characters. Garfunkel is a quiet psychologist, Russel is a most modern 70s woman, living for the moment. And Harvey Keitel is great as ever as the detective playing Garfunkel along as he realises what becomes a murder case has missing time in the evidence which questionable sexual activities have been carried out. Russell was never better, and although Art never became a movie star, he is perfect in the role.
There is something about Roeg and the music world as he brings David Bowie's best performance out of him in Man Who Fell To Earth. again, fantastic new techniques add to the sci-fi element of the story of Bowie trying to build a rocket to take him back to his dying family out there in the cosmos. If only the producers had used the Low soundtrack which was created by Bowie and Eno for the film, this would have been an even more incredible end to the first half of the 70s. when you add Walkabout to this fabulous collection of movies, this is a master film maker blazing a trail . If only I had been at the event in 2008 at Riverside studios, when he introduced a programme of his greatest hits, being honoured by the London Film Academy.

Thursday, 11 December 2014

The best TV & Movies of 2014

Film / TV of 2014  11-12-14

Having listened to Jason Solomons list of the best movies of 2014 on Robert Elms always interesting show on BBC London 94.9FM today , I have thought about my favourites this year. Jason included" Nightcrawler" with Jake Gyllenhall as a creepy opportunist ambulance chasing newshound, which I thought was a terrific comment on modern day inter-personal communication and the news agenda. I currently think  "Welcome to New York" is my favourite release of the year; Abel Ferrara is back on top form, pushing back the taboo boundaries in a similar way to his 1992 success," Bad Lieutenant". The tale of the cop falling apart starred Harvey Keitel, taking crack and praying in a church having disrobed, created a media storm at the time. It is unlikely this time round seeing as the story of the notorious depravity of the high profile French politician whoring his way round NYC was barely seen in a UK cinema. Nor did it go straight to DVD; its fate was even worse; straight to stream online. That says it all to me about how we in the UK cannot cope with adult films about sex - as opposed to adult sex films - we can cope with them OK.

How different the times are now for Abel Ferrara, Dario Argento, David Cronenbourg as well as Harvey Keitel, Nick Cage and David Lynch. The careers of these cult figures tend to go through peaks and troughs; many of them have had their biggest success for aeons this year. Cronenbourgs "Maps to The Stars" was one of the best films about Hollywood I have ever seen, and is my favourite movie from across the pond (USA). Us Brits can take credit for many high points of the year including Mike Leigh's "Mr Turner" which got better and better as it went on, after a low key and clunky first half hour. Dario Argento has announced a new film of the Sandman comic legend with Iggy Pop as the eye-eating monster who haunts childrens' nightmares. Should be great, especially if Dario can persuade his daughter, Treedown Gotobed's favourite actress of modern times - Asia Argento - to take part.

Two biopics were similar in many ways including the rampant egotism of their main subject. "Finding Fela" was another DVD release that deserved better, especially as the man was such a megastar. Alex Gibney's documentary does not shy away from the awkward aspects of his story; the huge joints he would smoke on stage, the 27 wives he married in one ceremony, and his brutal, sexist bullying of women. Fela's unapologetic credo has the African husband always in charge, and always right.

His fantastic band - so tight they made Paul McCartney cry - left him after his control freakery got too much. As did James Browns Famous Flames, who upped and left after being fined for every mistake by the self proclaimed Godfather of Soul.

Starring Chadwick Boseman in a lively performance, The James Brown story "Get On Up"was entertaining and interesting, detailing his dirt poor childhood through to the swift rise to success and battles with the payola system that had a hold of the American music industry. Dan Akroyd plays the sage manager who takes him all the way to top of the R&B charts and often No 1 in the main Billboards charts as well. Both films excel on the music front which isn't surprising seeing as both artists were superlative geniuses.

But 2014 was another year ruled by the TV series. No more Breaking Bad - we had True Detective . My goodness, what a master of the charismatic alpha male Matthew McConnaughay has become. And even us Brits - so lagging behind in this arena - had our own product of equally top quality. Just as Finding Fela had me speaking in a Nigerian accent for the rest of the night,The Fall has used its Belfast location to great effect. Not so much the city itself, but the people, and that accent became deliciously alluring when Boss cop Gillian Anderson sent a simulacrum into the police cell to bump the beautiful male psychopath out of communication shut down. Dressed in Stella's signature outfit and with her long dark hair deliberately styled to mirror Paul Spector's preferred victim type, the young officer delivered news of being 'further arrested' in the most spine-tingling seductive manner ever seen in a British police station. The female superstar - all restrained authority, sexy silk shirts and pencil skirts, is backed up by an ultra-modern take on sexual relations between consenting adults irrespective of gender. As the male anti-hero Jamie Dornan delivers dollops of sex appeal and charisma to match any American heavyweight as they play out their cat and mouse psychological mind games. Top effort, and full marks writer/director Alan Cubitt and the BBC drama dept - can't wait for the next series in 2015.

Sunday, 7 December 2014

Orion Mars mission

Mission to Mars - Id rather go to Neptune - 07-12-14

According to Bloomberg, the money NaSA need to send the Orion capsule to Mars are astonomical. And even if they get the $22billion they need for starters, Orion may not make it to Mars...

"The Orion space capsule that launched earlier today has been under development by NASA since the mid-2000s. But, watching it splash down in the Pacific ocean four hours later, you'd be forgiven for thinking of the 1970s. The capsule, which by some reliable estimates cost over $10 billion, didn’t accomplish anything that wasn’t somewhat routine for NASA in the era of the Apollo moon landings.NASA, however, is encouraging a very different view.  Rather than admit Orion's many shortcomings, it has boldly  promoted the mission as the first step in America’s journey to Mars -- or, as NASA tweets it, America's #JourneyToMars

It's laudable, of course, that a perpetually under-funded government agency -- one that hasn’t sent a crewed mission beyond low-Earth orbit in forty-two years -- is able to muster this sort of long-term optimism. But optimism alone won’t send a jumbo-sized space capsule to Mars. You need money, and lots of it: a recent National Research Council study looked at several mission pathways to Mars, including Orion, and saw no possibility that any mission could be accomplished for less than hundreds of billions of dollars. In contrast, the National Aeronautics and Space Administration (NASA) expects to spend $22 billion on Orion and the Space Launch System rocket by 2021 (according to the Government Accountability Office, a true accounting of Orion’s costs has not been provided by NASA). There's no reason to believe that greater volumes of money will ever materialize.  NASA, in other words, intends on spending vast sums of money on a Mars capsule that will not be going to Mars."

A trip to Mars would mean missing 10 Victorias Secret shows - minimum

Now this may not be such a bad thing after all. Lets take a look at what we know about Mars. Theres not a whole lot going on there. In fact, fuck all goes on there. You might as well send the astronauts to the Sahara for a year or two and save them the discomfort and danger of the take-off, the 2 year journey, and the touch down. Even if there is no touch down, and they just bypass Mars and carry on to someplace else, and frankly who could blame them,they still need to bring Orion back home at some time hence.

If anyone thought for one second that Martians were going to materilise I'd be all for it. Never mind Martians, if anyone thought the tiniest worm might crawl out of the red sandy surface, it might justify a few dollars to go there. Then we could all say - "hurrah, its ET !"

But even that seems a forlorn hope. So NASA is going to send those privileged sops to the most boring planet ever discovered. Id rather they went to Planet Hollywood and ordered 50million burger and fries for the undernourished Africans who need a good meal. Go to to see Spurs play, go to the jungle and bring national treasure Carl Fogarty back to Bolton, Go to Russia and call Putin a pansy...you never know what might happen.

But going to Mars is a round trip to nowhere useful, entertaining and not worth terraforming. Go the other way NASA, arent Neptunes moons worth a quick(ish) trip?